Showing posts with label Allie. Show all posts
Showing posts with label Allie. Show all posts

Friday, October 19, 2012

Hell

istock

Writing Circle exercise: One of your characters addresses Dante's Inferno, or more specifically their own brand of Hell. My character is a mother who has struggled with infertility.


There was never any doubt in my mind that I would be a mother one day and a good one, too. But month after month, a familiar ache in my belly burned deep and I knew that it was not yet meant to be.

Five times I carried a child for as long as my body would allow. Five times the dam was unleashed and my soul poured out rivulets of crimson.

Five times I lay on the floor weeping in what remained of my dreams.

Five times I died.

When Sarah came early but not too early – there was no word for it, for “miracle” would never seem strong enough.

She saved me. She saved my soul from hell.

But I could not, in the end, save hers.


by Allie
(c) all rights reserved

Dear Maya


 Writing Circle exercise: One of your characters writes a letter to a famous poet. In mine, Ann, an Amish, childless wife, writes to Maya Angelou. Click on the letter to enlarge.


by Allie
(c) all rights reserved

Friday, October 12, 2012

Chapter 1: Sarah

Red Iris (c) Nel Jansen

Sarah lay down in the wheat, her hair liquid and glistening in the late afternoon sun. The farmhouse, where Mother prepared the evening meal and Aunt Ann hung the laundry out to dry and baby Beatrice played on the mossy slope by the storm door seemed like a memory to her in this moment, so enveloping was this secret place.

Between her fingers, she lightly held a red iris. Samuel had left it for her on the stone walkway before dawn, as he did every morning, and she quickly retrieved it before prying eyes could see. Each day she tucked the bloom (so brazen in color, in size!) into her apron pocket. It nestled there against her belly as she squeezed out her father’s socks and handkerchiefs; beat them against the washing board and hung them to dry stiffly on the line. Mother washed his underthings and breeches, for Sarah was too young to handle such things. At day’s end, she retrieved the flower, limp and crumpled, and squeezed it between the pages of her Bible for safe-keeping.

Now that Aunt Ann was here, she had taken over some of Papa’s washing. He was, after all, her brother. Because of her stout figure and ruddy face – so much like Papa – and perhaps her childlessness, she seemed to him less of a woman. And so, when she left her husband’s farm to visit him, it was Ann who had changed Papa’s bed sheets, she who bathed him when he came down so very ill last year. She could handle the mules if called upon. And she hauled in bushel baskets of rose tinted apples from the orchard without a complaint. Papa said she was nearly as good as having a brother.

Sarah, on the other hand, took after her mother. Slight, fair skinned and dark flowing hair, she had a delicate constitution. Mother had seen to it that Sarah had never been called upon to slaughter a lamb or chicken for Sunday supper. She had spent the bulk of her 15 years divided between two basic tasks: her chores – mending, weeding, baking and washing – and sitting in services on the woman’s side of the church.

Here at her hiding place, her face flushed at the thought of him, of Samuel.

After services their eyes had met, and it was here she had dared allow him to visit her that first time. He had sat with his hands on his knees and smiled shyly, talking of the crops and the weather, unable to look at her, forgetting to remove his hat. Though tall, he was slight and fair like she. To outsiders, the English, they would have been thought brother and sister.

On the second secret visit, he brought her a red iris and told her she was prettier than a flower bud could ever be. They had lain side by side: unclothed, only looking at each other. She allowed him to touch her on the third night. He caressed her soft, ivory curves, admiring her in the moonlight. When they had at last joined themselves, he had let out a gentle moan and murmured praise be, and hallelujah, as a preacher’s son might do upon the reading of the scriptures. This time, he remembered, at least, to take off his hat.

When Sarah grew large, mama did not scold, she said nothing at all. She simply stitched fuller skirts and aprons and slipped Sarah extra bread and cheese after Papa had gone to bed. When Sarah was too round to hide, she had traveled to Aunt Ann’s under the guise of helping her aunt give birth to her first child after more than a dozen years of God withholding offspring. Papa had easily obliged despite the cost, cheered that his sister and her husband would at last have a child.

It was Sarah’s first time to ride a train, her first time to mingle with the English, and she felt strangely shy. Her full cheeks flushed, awkward in her hand-sewn blue-grey dress, which seemed so fine before but now felt shabby. So out of place in her best black lace head-covering, firmly bobby-pinned atop her head, crowning a loosely-wound chestnut bun.

The season turned quickly and fall was again near. The three of them – Ann, Sarah and baby Beatrice – stepped off the train and into Father’s embrace, which for Papa meant an enthusiastic squeeze of Ann’s shoulder, a rare touch between brother and sister, and a broad smile and back-pat for Sarah. As he beheld the child, his cheeks flushed with the joy of it.

“Next time a boy, yes?” he had said, laughing, and both women had simply smiled.

Mother rang the dinner bell. Sarah rolled onto her back, contemplating the wilting plucked bloom, disintegrating, it seemed before her eyes. She closed them and could almost feel the shudder of the earth from the train passing through, rumbling gloriously across the flat lands, to places faraway, to worlds unknown.

The sun slid behind the wheat tassels, golden streams of light piercing the cool wafts of autumn. She breathed it all in, momentarily suspended, moved only by the sound of a baby’s cry.

by Allie J.
All Rights Reserved

Thursday, October 11, 2012

Who Killed It?



Who killed it? I did. I may burn in hell for it, but I did.

What did I feel? Relief, fear, joy, sorrow, a sick burn in my stomach I was sure would never go away and still hasn’t.

I don’t worry about hell anymore, because I am in it now. And the fire hasn’t burned me up yet.

I am the fire. I make heat sparks waves of light.

There is no antidote for what I have, for what I am.

Once I was a meek lamb, fearful, huddled behind the wooden fence.

Too afraid to climb over, to afraid to jump through.

But now I am unstoppable.

I am on fire.


by Allie J.
(c) all rights reserved

Waking Up


They say that divorce is like a death. But when your marriage dies, you don’t get sympathy cards. There are no flowers delivered to your doorstep. Nobody brings you any fucking casseroles.

People are sad for you and for your loss. But, secretly, they are also sad for themselves, because you’ve proven to them that even the most perfect-looking marriage can fail. And if that’s the case, what is the future for their own unwieldy union?

Your grief makes them uncomfortable. And they secretly worry that what you have is catching.

Unlike a human’s passing, a marriage, no matter how many years it lived, never really gets a proper burial. There is no body to view; no wake to extol what was good about the departed. There is no gathering of family and friends, no loving tribute printed in the newspaper.

Instead it’s just you, telling people – from your mother to the bank teller – that your situation is now changed.

And no matter how much grief you bear, you will never really be viewed (except maybe by your therapist) as a person in mourning.

If you are lucky, you will have dear friends and family who will embrace you, love you, and pray for you until you are through the worst of it. But most of the time you will be surrounded by people who are either indifferent, or who you are pretty sure are speculating that your relationship’s demise was, perhaps, preventable.

You will feel certain that when they say, I’m so sorry, how are you doing?, what they really mean is, Who killed it? Who did this thing? Whose bloody finger pulled the trigger?

When a marriage dies, you are not assigned the status of grieving widow. Instead you are an ex-wife, a single mother, (a cougar, some will jokingly say), a divorcee, none of which sounds as good.

And as much as you try to handle it all with grace, there will be moments when you find yourself revealing to someone you hardly know that the man you loved for more than two decades woke up one day and told you he was in love with somebody else’s wife.

You will tell them that your years of blind devotion to the idea of true, everlasting love turned out to be an epic and monumental failure. You will go on to confess that you are taking lots and lots of prescription medications and that you sleep in the fetal position.

And suddenly in the middle of it they will clap their hands and tell you they are fixing you up with their lonely bachelor next-door neighbor. It’s decided, they will say. When you are ready, of course.

When your marriage dies, whether you were the one to pull the life support plug or your partner strangled it in its sleep, you can’t go back. You can’t be who you were and you can’t not be who you are now.

You can’t keep doing what you were doing, and you can’t undo the past.

So what do you do?

You wake up, you put your feet on the floor and you tell yourself that even though this death has parted you, you are not one half of another.

You are strong enough to stand on your own and you will not come undone, at least not today.

by Allie J.
 (c) all rights reserved